The artists are making a critical and anxious comment on the social changes brought by Westernisation. In Fig. 19, 'Ghor Kali', the traditional world is shown being turned upside down, with animals attacking humans, signifying a loss of the natural and moral order. Figs. 20 and 21 contrast the traditional Indian couple, who sit on the floor and maintain a respectful distance, with the European couple who sit on chairs in a more intimate and assertive posture. The artist is likely criticising the adoption of Western norms, which are seen as corrupting traditional Indian values of respect, social hierarchy, and family structure.

These reactions were provoked by the profound social changes of the 19th century, including the spread of Western education, the changing roles of women, and the challenge to the caste system. Many conservative sections of society feared that these changes would destroy their culture and traditions.

Whether one agrees with the artist's view is subjective. While the artist expresses a valid fear of cultural loss, one could also argue that these social changes were necessary for progress, empowering women and challenging oppressive social structures.